Well, I've taken so long to getting around to the current crop of confirmed eurovision entries because, well, they're all kinda unremarkable. I just don't have much to say about it.
Let's round it up
Switzerland: 'You and Me' - whatever Heilsarmee are now called.
Since I always thought the dorkiest and cringiest part of this song was the Salvation Army aspect, the fact that the EBU have prevented that makes this song a bit better. I mean, it's still twee and kinda preachy, but it's not a man dressed as a monkey or an 88 year old's attempt to be cool. Plus, with Bosnia and Turkey, both generally certain qualifiers, out of the picture, it's possible this song might pick up some votes in a good spot. How do the Swiss get on with Sweden?
Belgium: 'Love Kills', Roberto Bellarosa.
This guy really can't sing. Which is a shame, there seems like an ok song underneath his flat scratchy voice. An OK song, though, probably not a qualifier. Oh, Belgium.
Albania: 'Identitet', Adrian Lulgjuraj & Bledar Sejko
I've nothing to say about this song. I've forgotten this song literally while writing this comment. All I will ever now think of with Albania is this:
Albania, bless you, for making this map of Albania, Kosovo and Montenegro, and giving me the biggest laugh ever. Bless whoever in the graphic studio decided to not included the serbian, macedonian and greek borders around them. And bless my computer's 'prt sc' button.
Lithuania: 'Something' - Andrius Pojavis
For consistency he should avoid the usual anglicising of his name for the international audience, and just rename himself 'Someone.' The song is actually not too bad, indie pop not dissimiliar to The Killers, but it has one of the worst recent cliches of Eurovision entries: the SUPERFLUOUS DANCERS. What the fuck are they doing back there? Why is she doing weight training exercises? Wouldn't just some guitarists and drummers be better? He's got a quirky enough look by himself, let's not overdo it.
Ukraine: 'Gravity' - Zlata Ognevich
Since Ukraine's one of those irritating guaranteed qualifiers, does anyone care. This songs a bit pointless and forgettable for them, full of insufferable cliches and some questionable english, but they're qualifiers for sure, so, whatever, I don't care. Bring back the hamster wheels and centurions.
The Ukraine will definitely qualify. Albania and Belgium are forgettable. Lithuania may qualify, though I think it should lose the quirkiness and just go as an indie song, and Switzerland, well, I'm not so sure. This could well get into the final. I mean, it's not a winner, and it'll probably come last, but it might well scrape into the final. I mean, it's not like San Marino are gonna threaten their chances.... unless....
*sees a faint sign on the horizon of an old lady with a skateboard*
Oh, I'm losing heart with eurovision entries this year.
I missed the ukraine national (mmmm, pillows, pillows), because there was no controversy around it this like there has been every other.
This song does nothing for me. I'm hoping that Gaitana will oblige in wearing a ridiculous outfit in may, and maybe bring Svetlana Loboda's centurions with her.
I'm also hoping this may be the year Ukraine sit out the final, cos i'm sick of those countries that everyone just knows will go through. Ukraine, or Russia. Particularly since Russia were so cocky last year of their place in the final that they didn't hold their delegation party till AFTER their semi.
Time to shake things up again! This seems like a place to start.
As the Eurovision has gotten bigger and more expensive so has the staging for a lot of the songs, with more technical stuff going on. It's the stuff everyone remembers from the show afterwards -- the conehead unicyclist, the robot biker woman, the robot, the turkey in the trolley, yet, strangely these things have never really made winners. I'm really boring, and I hope that the most ridiculous staging elements will disappear from the Eurovision. They're becoming cliched now, like changing costume halfway through the song (Croatia 2011 have surely killed that trick now). So I'd like to dedicate a moment, in this crazed nationals season to the most over-the-top, and completely unnecessary, and probably detrimental, Eurovision stagings.
I miss when ESCToday did these sorts of lists... Sigh.
10 Boxing Ring, Armenia 2011
I actually thought this was more of the song than it is watching the video now, but it's still so stupid. What does any of this have to do with boxing?
9: The wind woman thing, Belarus 2009
This might be a costume thing, I'm unsure, just go with it. When I saw this the first time I couldn't decide if it was intentional, or if some poor backing dancer's dress had taken too much wind machine and she'd gotten stuck in the whole thing and couldn't get out. This never got to the final, so we never got to see. Sigh.
8: Big gaudy heart seat, Greece 2008.
Actually, I hate this song in every way. It's tacky, too pink it's unnecessarily Greek, she rips half her dress off to reveal... slightly less dress underneath. She sings about not wanting to give a guy her secret combination despite the fact that the whole of Europe is close to seeing all of her secrets if she opens her legs again. Urgh, and people liked this. I hate people. Why does she need to have some prom float heart as well? Hasn't the message of the song already come across by now. It just goes and makes the whole thing much more tacky and awful.
7: Dita Von Teese on a sofa, Germany, 2009.
You know, all those bits of furniture and stuff don't get on the stage by themselves. There's a bunch of stage hands and managers and people running around getting this stuff on and off quickly. Do you think they ever stop and think 'What was the point of that?' What was the point of having Dita Von Teese there in the background taking a few items of clothing off? What is the point of that if the camera isn't even looking at her? Why didn't you just have a video of it? It was hyped up at the time, but when it came to it, it was all so meh, and safe for something that should have been much more.
6: Staircase for Safura, Azerbaijan 2010
Again, somewhere someone is thinking 'Do we really need to lug this thing onto the stage.' This is probably the only case where the presentation actually ruined the song. I don't think anyone got why she was on a very little staircase that was, clearly, too difficult to get down by herself. The only purpose I think it had was so the cameraman could get more of an upskirt shot of her. This might have done better if it had stayed simpler, but nooooo, they had to do a bit more. Azerbaijan must have thought better of this in 2011 because Ell and Nikki were the least stagey entry they've had.
5 the 4 screens behind Blue, UK 2011
Maybe this wasn't really over the top in the Eurovision, but I'm in the UK, so I heard a lot about Blue in the build -up to the contest, where they went on a fair bit about 'keeping things simple.' Why did they need 4 monitors with their ugly mugs on them 2 feet behind them, when the stage has a massive screen already. Couldn't they make use of that. did we need a spelling bee behind them. As for those outfits -- Blue in blue? Don't they know that winners wear black or white.
4. The treadmill stapler thing, Greece 2009
I would say this was the ultimate in ridiculous, over-the-top and unnecessary Eurovision performances but.... I don't know. It was so ridiculous it became awesome again... as did
3. the giant hamster wheel thing, Ukraine, 2009
Oh My God, this is the song that makes people think of the Eurovision as camp, gay and ridiculous. But this song is just so awful, that without it, this really would never have been in the final.
2: The ice rink, Russia 2008
I'm always confused by this one. Did Dima Bilan really want to be an ice skater or something? Where did they even find that? How did the skater not accidentally cut someone's fingers off. Did Bilan have really cold feet after? Why, just why? And did anyone find it impressive? Wasn't Bilan enough by himself? Did he need all that stuff. Admittedly, it does look sorta interesting, but I don't really get why they bothered. I dunno, maybe it's a Russian thing
1: The glass box, Sweden 2011,
Oh I just hate this smug preening tosspot anyway. He makes Alexander Rybak look just charming. Urgh, Just look at him. How I hate him, how i hate this song, how I hate anyone who liked this song.
That glass box though. What the hell are you doing? Why. It's so fake, so stagey, and does nothing. I think he's supposed to look cool, but considering most of us hardcore fans saw him throw a little strop when the technical people couldn't get it to work in rehearsals, mostly it just comes across as a rather bothersome, unnecessary gimmick in a repetitive, ugly song about wanting to be popular. Yeah, being popular, Eric, that'll make the girl like you more. You don't get rejected because you're not cool, it's because you're a tosser.
I really hate Eric Saade. I really hoped the glass wouldn't break in the final and he'd be stuck in that box. But that might have meant he'd have to do the song again. Urgh. Fuck Eric Saade.
